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Para hacerlo más fácil a todas aquellas personas que no tienen una conexiónde banda ancha a Internet, o que quieran hacer su estación en una forma muyprofesional(aunque los dos son válidos.), veremos ambos métodos. Con tú propioservidor. Para optar por esta opciónnecesitas como mínimo, una conexión de banda ancha de al menos 2. Para obtener el número máximo de usuarios que te permite tú conexión, calculacon la siguiente fórmula: (Ancho de Banda * 0. Kbps a transmitir. Es decir, si tienemos una conexión ADSL de 5. Kbps,el resultado sería el siguiente: (5. Usuarios Kbps, se refiere a la calidad de transmisión, dondé 1. Kbps, es una calidadsimilar a la de un CD, por lo cual no es recomendable, a menos que solo vayasa transmitir para lineas T1, en ADSL de 5. Kbps, solo tendras alcanze para 4usuarios, así que lo normal y aconsejable, es transmitir a 2. Kbps. El primer paso, será instalar el software, empezando en el orden siguiente: Winamp SHOUTCast DSP Plug- in Line Recorder Plug- in SHOUTCastd DNAS MP3z, ya sea en el discoduro o en CD’s. Una vez instalado el software, lo primero que debemos hacer es configurar el servidor, no veremos todas lasopciones ya que estas las puedes verificar en el manual del SHOUTCast DNAS oen el mismo archivo de configuración, solo veremos las más importantes. Accedemos al archivo de configuración mediante la ruta: Inicio- > Programs- > SHOUTcast DNAS- > Edit. SHOUTcast DNAS configuration. Max. User Nos permite establecer el número máximo de conexiones que se harán a nuestroservidor, es decir, el número de usuarios que podrán conectarse. Ej. Max. User=2. 0 Solo se conectaran 2. Password. Establece el password con el cual conectaremos al SHOUTCast DNAS. Password=miclave Port. Base Indica el número de puerto por el cual conectaremos a nuestro servidor SHOUTCast. DNAS, por defecto es el puerto 8. Ej. Port. Base=8. Show. Last. Songs Esta opción nos permite ver el número de canciones reproducidas a partir dela actual, al acceder al servidor SHOUTCast DNAS con un navegador, de la forma“http: //direccionip: 8. Ej. Show. Last. Songs=1. Src. IP Especifica la dirección IP que se conectara a nuestro servidor para poder transmitir(veremos esto más adelante), por lo general tiene el valor ANY, por locual podemos conectarnos desde cualquier PC a nuestro servidor SHOUTCast DNAS. Ej. Src. IP=1. 27. Solo podremos conectardesde la PC local, es decir, desde donde tenemos el servidor SHOUTCast DNAS). Dest. IP Esta opción nos sirve para establecer por que dirección ip emitiremos, es decir,si ponemos el valor 1. PC, por lo tanto es recomendable dejarlo como esta, en el valor ANY. Ej. Dest. IP=ANY (Los usuarios podrán conectarsea cualquier dirección ip que poseamos). Yport Opción la cual nos sirve para conectar y listar nuestra estación de radio enel directorio de Shoutcast. SHOUTCast DNAS,por defecto es el puerto 8. ISP, deberán establecer el puerto a 6. Ej. Yport=6. 66 (Nos conectamos a Internetdebajo de un servidor proxy de nuestro ISP). Nota: Si estamos en una Intranet, no podremos listarnos en eldirectorio de Shoutcast. Internet, solamente en nuestra red local. Name. Lookups Si poseemos un servidor propio con nombre de dominio en nuestra PC, al activaresta opción (1), los usuarios podrán acceder a nuestra estación de la forma“http: //servidor. Ej. Name. Lookups=1 Esto es todo en cuanto a la configuración de l SHOUTCast DNAS, hay más opcionesque son interesantes, pero eso ya depende de ti averiguarlas. Ahora arrancaremos nuestro servidor SHOUTCast DNAS para probarlo. Inicio- > Programs- > SHOUTcast DNAS- > SHOUTcast. DNAS (GUI) Y deberemos de ver una pantalla como esta: El siguiente paso es muy sencillo, ponemos en marcha elwinamp, echando a andar algunas canciones y vamos con lo que sigue. Ahora bien, prosigamos con el siguiente paso, en el winamp, presionamos Control+ P, para acceder a las preferencias, y del lado izquierdo seleccionamos Plgug- ins- > DSP/Effectsy del lado derecho seleccionamos Nullsoft SHOUTCast Source DSP, con locual se nos abrirla una ventana como la siguiente: Nos cambiamos a la pestaña de Encoder, seleccionamos. Encoder. 1, en Encoder Type elegimos MP3 Encoder, y en Encoder. Settings, la calidad de nuestra transmisión, como se mencionaba anteriormente,será 2. Kbps. Ahora cambiamos a la pestaña Output, seleccionamos Output. Connection seleccionado, ponemos los siguientes valores: Address: Ladirección de nuestro Servidor SHOUTCast DNAS. Ej. 1. 27. 0. 0. 1 Que quieredecir que el servidor esta en la misma PC. Port: El. Puerto que asignamos en la configuración del SHOUTCast DNAS, (Port, no la del. YP). Ej. 8. 00. 0 Password: El password que establecimos en la configuración del SHOUTCast DNAS. Ej. miclave Y en Encoder Seleccionamos 1. A continuación seleccionamos el botón. Yellopages y asignamos los valoresde la siguiente forma: Description: El Nombre de nuestra estación, aparecerá en el reproductorde nuestro usuario. Ej. i. Max Radio Internet URL: La dirección denuestra página, o página de nuestra estación de radio. Ej. http: //shoutcast. Genre: Elgénero de nuestra estación de radio. Ej. Rock Lo siguiente es en caso de que nuestra estación de radiosea del tipo interactivo, es decir, solicitando canciones, conversando con losusuarios, etc. AIM: Nuestro Nick en el AIM, en caso de que tengamos. ICQ: Nuestronúmero de ICQ en caso de que tengamos. IRC: Elnombre del canal que se nos asignara en el servidor IRC de Shoutcast. Ahora hemos llegado al momento esperado, comenzar a transmitir,solo presionaremos el botón de Connect, si todo salió correctamente enel cuadro de Status marcara el tiempo que llevamos de transmisión así comolos bytes enviados. Y como prueba fina, conectaremos mediante el navegador ala dirección de nuestro servidor SHOUTCast DNAS mediante su dirección ip y puerto,es decir de la forma “http: //1. URL, AIM, ICQ, IRC, y la canción que se esta reproduciendo actualmente. Y si accedemos a la opción de Song History, nosmostrara las últimas canciones reproducidas hasta el momento, dependiendo delvalor que dimos en el archivo de configuración del SHOUTCast DNAS. En la opción Listen, nos abrirá el reproductor de stream que tengamospor defecto, para escuchar nuestra estación; la opción Stream URL, nospermite acceder a la página que especificamos en la opción de de Yellowpagesen el SHOUTCast DSP Plug- in. Y por último, la opción Admin Login, nos permite acceder a los logs denuestro servidor SHOUTCast DNAS, así como algunos aspectos de configuraciónbásica. Y como dato final, si tenemos conexión directa a Internet, y todo salió bien,al acceder a la página de Shoutcast. El útlmo punto es que, pases la dirección de tú radioa todos tus amigos la cual deberán escribir en el winamp o en su reproductorque posean, (generalmente se hace con Control + L y la dirección en formato “http: //direccionip: puerto”) o acceder a ella medianteel navegador, y simplemente dar click en el link de Listen. Upsss, se me andaba pasando algo muy importante, el plug- in de Line Recorder,te sirve para poder hacer transmisiones de voz, y se utiliza presionando laopción ADD- > URL de el editor de reproducción del winamp, y escribiendoen la ventana que aparece lo siguiente: “linerec: //”, lo cual hará queaparezca la palabra Line Recording en la última posición de la listade reproducción del winamp, y al cambiar la canción actual, a esta opción, podremoshablar mediante un micrófono conectado a nuestra tarjeta de sonido. Esto teservirá para crear tus propios programas de radio, para desactivarla, solo pona reproducir cualquier canción. 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The creator of Sound Blaster is the Singapore- based firm Creative Technology Limited, also known by the name of its United States subsidiary, Creative Labs. Creative Music System and Game Blaster[edit]Creative Music System[edit]. Creative Music System sound card. The history of Creative sound cards started with the release of the Creative Music System ("C/MS") CT- 1. August 1. 98. 7. It contained two Philips SAA1. These circuits were featured earlier in various popular electronics magazines around the world. Creative Sound Blaster Audigy Driver - Creative Sound Blaster Audigy series driver for audio devices. Creative Sound Blaster Live driver 1.04.0090 for Windows 7 and Windows Vista driver download. All the latest manufacturer's drivers available for free from Software. For many years Creative tended to use off- the- shelf components and manufacturers' reference designs for their early products. The various integrated circuits had white or black paper stickers fully covering their top thus hiding their identity. On the C/MS board in particular, the Philips chips had white pieces of paper with a fantasy CMS- 3. Creative parts usually had consistent CT number references. Surprisingly, the board also contained a large 4. DIP integrated circuit, bearing a CT 1. A CTPL 8. 70. 8 (Creative Technology Programmable Logic) serigraphed inscription and looking exactly like the DSP of the later Sound Blaster. This chip allows software to automatically detect the card by certain register reads and writes. Game Blaster[edit]A year later, in 1. Creative marketed the C/MS via Radio Shack under the name Game Blaster. This card was identical in every way to the precursor C/MS hardware. Whereas the C/MS package came with five floppy disks full of utilities and song files, Creative supplied only a single floppy with the basic utilities and game patches to allow Sierra Online's games using the Sierra Creative Interpreter engine to play music with the card and it also included a later revision of the game Silpheed that added C/MS support. In 2. 01. 7 hobbyists developed a clone CT1. PCB.[2]First generation Sound Blasters, 8- bit ISA & MCA cards[edit]Sound Blaster 1. Shop online at the Creative Store (United States). Earn member's points and enjoy free shipping on orders $25 and above!CT1. 31. 0, CT1. 32. A, CT1. 32. 0B[edit]. Sound Blaster 1. 0 (CT1. B); C/MS chips in sockets (labeled U1. U1. 5) are seen. The Sound Blaster 1. Killer Kard"),[3] CT1. A, was released in 1. In addition to Game Blaster features, it had an 1. FM synthesizer using the Yamaha YM3. OPL2. It provided perfect compatibility with the then market leader Ad. Lib sound card, which had gained support in PC games in the preceding year. Creative used the "DSP" acronym to designate the digital audio part of the Sound Blaster. This actually stood for Digital Sound Processor, rather than the more common digital signal processor, and was really a simple micro- controller from the Intel. MCS- 5. 1 family (supplied by Intel and Matra MHS, among others). It could play back 8- bit monauralsampled sound at up to 2. Hzsampling frequency and record 8- bit at up to 1. Hz. The sole DSP- like features of the circuit were ADPCM decompression and a primitive non- MPU- 4. MIDI interface. The ADPCM decompression schemes supported were 2 to 1, 3 to 1 and 4 to 1. The CT1. 32. 0B variety of the Sound Blaster 1. C/MS chips installed in sockets rather than soldered on the PCB.[4]Some sources note that the original Sound Blaster 1. CT1. 31. 0 number. This however is a topic of ongoing debate. Creative refers to CT1. Sound Blaster 1. 0 on its website.[5][6][7]In spite of these limitations, in less than a year, the Sound Blaster became the top- selling expansion card for the PC. It achieved this by providing a fully Ad. Lib- compatible product, with additional features, for the same, and often a lower price. The inclusion of the game port, and its importance to its early success, is often forgotten or overlooked. PCs of this era did not include a game port. Game port cards were costly (around $5. PCs had at the time. Given the choice between an Ad. Lib card or a fully compatible Sound Blaster card that came with a game port, saved a slot, and included the "DSP" for not much more in price, many consumers opted for the Sound Blaster. In- game support for the digital portion of the card did not happen until after the Sound Blaster had gained dominance. When Microsoft announced Multimedia PC (MPC) in November 1. Sound Blaster as it was the only sound card that came close to complying with the MPC standard. The press speculated that Microsoft based the MPC standard on the Sound Blaster's specifications.[8] By 1. Computer Gaming World wondered "why would a gamer" buy a competing Ad. Lib card that was not Sound Blaster- compatible.[9] Creative advertised the Sound Blaster 1. Get Real", emphasizing its "real 1. Sound Blaster compatibility" and rhetorically asking "why those other manufacturers spend so much time comparing themselves to Sound Blaster".[1. Reception[edit]Compute! Sound Blaster, "IBM- compatible computers have taken the lead in sound and music for personal computers". Naming it a Compute! Choice, the magazine described the quality of the opening music of Space Quest III with the card as "extraordinary", praising the quality compared to the Roland MT- 3. Ad Lib versions. Compute! DMA and Creative's dissemination of technical information, and concluded that while the more- expensive MT- 3. Sound Blaster's audio quality was better than that of Ad Lib or Game Blaster.[1. Sound Blaster 1. 5, CT1. C, CT1. 32. 0U[edit]. Sound Blaster 1. 5 (CT1. C); C/MS chip sockets (labeled U1. U1. 5) seem empty. Released in 1. 99. Sound Blaster 1. 5, CT1. C, dropped the C/MS chips, which were no longer popular with game developers. Instead, the board had two empty sockets, which could be user upgraded by purchasing the C/MS chips directly from Creative or Phillips SAA- 1. Otherwise the card functions identically to the Sound Blaster 1. The CT1. 32. 0U variety has the same layout as the CT1. C.[1. 3]Sound Blaster 2. CT1. 35. 0[edit]. Sound Blaster 2. 0 (CT1. B), without C/MS and FM chipset. The final revision of the original Sound Blaster, the Sound Blaster 2. October 1. 99. 1,[1. CT1. 35. 0, added support for "auto- init" DMA, which assisted in producing a continuous loop of double- buffered sound output. Similar to version 1. DAC. However, the maximum sampling rate was increased to 4. Hz for playback, and 1. Hz for record. The DSP's MIDI UART was upgraded to full- duplex and offered time stamping features, but was not yet compatible with the MPU- 4. MIDI equipment. The Sound Blaster 2. PCB- layout used more highly integrated components, both shrinking the board's size and reducing manufacturing cost. Owners of previous revision Sound Blaster boards could upgrade their board by purchasing the V2. DSP chip from Creative Labs, and swapping the older DSP V1. The upgraded board gained the auto- init DMA and new MIDI capabilities of the Sound Blaster 2. The upgrade was necessary for full compatibility with the Windows 3. Multimedia Extensions upgrade. Sound Blaster MCV, CT5. The Sound. Blaster MCV (CT5. B); note that the card has a greater width and thus lacks the typical MCA sled. Sound Blaster MCV, CT5. IBMPS/2 model 5. 0 and higher and their ISA- incompatible Micro Channel Architecture bus. The MCV Sound. Blaster has some issues outputting audio while running on PS/2s with CPUs running faster than 1. MHz. However, the joystick interface is still inoperable on PS/2s it was designed for due to the slow- speed Schottky chips that have been installed. None of these timing issues affect the Yamaha YM3. Some of the MCV Sound. Blasters were released with faster Schottkys which eradicated some of the problems.[1. Second- generation Sound Blasters, 1. ISA & MCA cards[edit]Sound Blaster Pro, CT1. Sound Blaster Pro (CT1. A) rev. 4. Model CT1. May 1. 99. 1, was the first significant redesign of the card's core features, and complied with the Microsoft MPC standard.[8]. The Sound Blaster Pro supported faster digital input and output sampling rates (up to 2. Hz stereo or 4. 4. 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Périphérique USB Périphérique de stockage de masse USB Périphérique USB Périphérique d'interface utilisateur USB. Center for Autism and Related Disorders. RESOURCES: UNDERSTANDING AUTISM SPECTRUM DISORDER. Autism spectrum disorder is a developmental disorder marked by impaired social interaction, limited communication, behavioral challenges, and a limited range of activities and interests. It has been estimated to affect 1 out of every 6. United States and is five times more common in boys than in girls. Social Skills & Pragmatics Materials - - LinguiSystems publishes ready-to-use materials for speech language pathology, speech therapy, learning disabilities, social. Use of Computer-Based Interventions to Teach Communication Skills to Children with Autism Spectrum Disorders: A Systematic Review. Autism Spectrum Disorder and Asperger's Syndrome diagnoses are on the rise. Many teachers and parents have little experience with the most recent information and. Children with autism can show a wide variety of behavioral symptoms, from failure to develop appropriate peer relationships to a delay in or a total lack of spoken language. For children who do speak, there may be a repetitive use of language or a delay in the ability to sustain a conversation with others. Symptoms of autism can also include hyperactivity, short attention span, impulsivity, aggressiveness, self- injurious behavior, and temper tantrums. Evidence- based autism treatment promotes the development of social and communication skills and minimizes behaviors that interfere with functioning and learning. Intensive, sustained evidence- based autism treatment can increase an individual’s ability to acquire language, learn, function in the community, and fulfill his/her potential. The Diagnostic and Statistical Manual of Mental Disorders is the most widely accepted reference used for the classification and diagnosis of ASD. The most recent edition (DSM- 5; American Psychiatric Association, 2. ASD, which was previously regarded as three distinct diagnoses (i. Asperger’s disorder). The DSM- 5, however, classifies ASD as a single disorder characterized by persistent deficits in social communication and social interaction, in addition to restricted, repetitive patterns of behavior, interests, or activities. SIGNS AND SYMPTOMS. The presentation and severity of symptoms vary widely among children with ASD. For some children, early signs of ASD may be observed by age 1. Some common signs and symptoms of ASD include. Lack of eye contact. Not responding appropriately to greetings. Difficulty initiating and maintaining conversations with others. Not responding appropriately to others’ gestures and facial expressions. Difficulty using gestures and facial expressions appropriately. Appearing to be unaware of others’ feelings. Not engaging in pretend play. Preferring to play alone. Repeating sounds, words, or phrases out of context. Becoming distressed by minor changes in routines. Performing repetitive movements, such as hand flapping or rocking. Playing with toys in unusual ways, for instance spinning them or lining them up. Having unusually strong attachments to particular objects. Limiting conversations to very specific topics. Exhibiting oversensitivity to sounds or textures. Appearing to be indifferent to pain. Experiencing delays or plateaus in skill development. Losing previously acquired skills. Displaying challenging behaviors, such as aggression, tantrums, and self- injury. The Modified Checklist for Autism in Toddlers, Revised (M- CHAT- R) is a free, validated screening tool that assesses a child’s risk for ASD. If you have concerns about your child’s development, express your concerns immediately to your child’s pediatrician and request a referral to a specialist who can perform more thorough assessments. The Centers for Disease Control and Prevention (CDC) estimates that 1 in 6. ASD) in the United States. That is about 3. 0% higher than the previously estimated rate of 1 in 8. The factors contributing to increases in reported rates of ASD are not fully understood. While increased rates may be partially explained by improved screening and diagnostic practices, researchers are also exploring the roles of various environmental and genetic risk factors. CDC statistics reveal that ASD is present across all races, ethnicities, and socioeconomic groups. In addition, boys are nearly 5 times more likely to develop ASD than girls. RISK FACTORS. There is no single known cause for ASD. Rather, evidence suggests that there are many factors involved in the development of ASD. Researchers are actively exploring the roles of various genetic and environmental risk factors. Genetics have been found to play a significant role in the development of ASD. Evidence indicates that siblings of children with ASD are at an increased risk of developing ASD themselves. Research conducted on twins has found genetics to play a sizable role in the development of ASD. Additionally, rates of ASD are higher among children with various genetic disorders, including fragile X syndrome and tuberous sclerosis. Numerous gene mutations have been found to increase the risk of developing ASD by varying degrees. Sometimes gene mutations are inherited from a parent who carries the same gene mutation while other times gene mutations occur spontaneously. Advanced parental age, another risk factor for ASD, may increase the chance of genetic mutations that occur spontaneously as genetic material is copied over from parent to offspring. In addition to genetic factors, a number of environmental factors have been found to increase the risk of developing ASD. Many environmental risk factors consist of prenatal exposures, including maternal contact with high levels of air pollution, maternal viral and bacterial infections and maternal ingestion of some prescription drugs including selective serotonin reuptake inhibitors, a type of antidepressant. On the other hand, prenatal vitamins ingested during pregnancy and the months preceding pregnancy have been found to reduce the risk of ASD. Birth complications involving oxygen deprivation are also associated with an increased risk of ASD. Intensive behavioral intervention (IBI) is the only empirically validated treatment for ASD. Based on the principles of applied behavior analysis (ABA), IBI is conducted at a high intensity, typically between 3. Evidence suggests that greater treatment intensity leads to superior outcomes. Evidence also indicates that IBI is more effective if initiated in early development; however, services initiated at any age are beneficial for the acquisition of valuable skills. RESOURCES: AUTISM ASSOCIATIONS. ACT Today! is a national nonprofit organization whose mission is to raise awareness and provide treatment services and support to families to help their children with autism achieve their full potential. The Autism Society, the nation's leading grassroots autism organization, exists to improve the lives of all affected by autism. Since 1. 96. 7 ARI has focused on studying treatments that improve the quality of life- -sometimes to the point of recovery- -for those on the autism spectrum. Autism Resources has information and links regarding the developmental disabilities autism and. Asperger's Syndrome. Autism Speaks aims to bring the autism community together as one strong voice to urge the government and private sector to take action to address this urgent global health crisis. The. Aut. Spot. com is a free online community linking family members and specialists nationwide who deal with children diagnosed with autism. The mission of the National Autism Association is to respond to the most urgent needs of the autism community, providing real help and hope so that all affected can reach their full potential. The mission of NIMH is to transform the understanding and treatment of mental illnesses through basic and clinical research, paving the way for prevention, recovery, and cure. We monitor all the major news sources, websites and the latest research for important and practical news and developments with a balanced, no- spin presentation. TACA provides support and education for families affected by autism through local chapters, coffee talks, parent support, educational events, and more. USAAA is a leading nonprofit organization for education, support, and solutions. Inspire builds online health and wellness communities for patients and caregivers, in partnership with national patient advocacy organizations, and helps life science organizations connect with these highly engaged populations. Autism Parenting Magazine aims to provide you with the most current information and interventions about Autism so that you can make the most informed decisions about what will benefit your child. YOUR SOURCE FOR AUTISM INFORMATION. Autism Live is an interactive webshow providing support, resources, information, facts, entertainment and inspiration to parents, teachers and practitioners working with children on the Autism Spectrum. |
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